Archive for the Photography Category

The Rode Newsshooter Kit and my project: THE FIGHT AGAINST TRUMPISAN (2017)

Posted in Audio, Captain's Personal Log, Photography, Photojournalism, Reviews, Video on February 15, 2017 by William Hooks

newsshooter_sennheiser-me-4n-lav-2newsshooter_sennheiser-me-4n-lav-1

p67601081p67601221p67601242p6760105p67601252p67601253I ‘ve been actively applying the wireless Rode Newsshooter Kit to supplement the 2 Filmmaker Kits I’ve had for some time, allowing excellent ENG sound production directly into my Panasonic GH4 4K mirrorless camera covering major events in California. The latest were 2 protest events in Los Angeles and San Francisco, against the incoming Trump regime. In Los Angeles, I had assistance with handheld mic interviews from one of my still shooters, Carmen Rosales and my old friend Mark Chambers did those honors at San Francisco International Airport, during the anti-Muslim ban event. Jim Garrett was the B-roll GH4 shooter in Los Angeles, and he has collaborated with me on editing and writing.

I was very impressed by the build quality and water resistance of the transmitter unit in driving rain at Los Angeles- I was concerned that the unit would fail at any time due to being soaked for hours, but it never missed a beat and the sound was remarkable when connected to my Sennheiser MD-46 dynamic microphone inside of a plastic bag.

It’s very convenient that the Newsshooter and Filmmaker receivers are identical, so that I can switch between them any time  simply by matching the channels with the corresponding transmitter or lav mic. There ‘s up to 40 v phantom power on the transmitter, more than enough to provide great gain for a Shure SM 58 or the Sennheiser dynamic mics; I can also use my Sennheiser ME-4 N lav mic with the transmitter and actively monitor its output using the headphone jack near the USB power jack. In addition, it can be powered by standard Sony FPS batteries as well as ubiquitous AA batteries.

Because it runs on wi-fi instead of RF, I have found it to be extremely reliable in field use even when surrounded by cell phones and other devices- and no need to manually match any frequencies. I can use up to 8 units at at time on individual channels.

My opinion: if you have $500 to spend on an XLR wireless system, this is by far the best option I have ever seen. Avoiding use of cables in an ENG environment has proven to be a significant advantage from the standpoint of safety, mobility, simplicity and reliability.

We’re going to be using the Newsshooter and Filmmaker Kits extensively, for continuing to document the rise of resistance to the Trump regime over the next several months.

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The website and Facebook page for WATER HUNGRY documentary were posted today

Posted in Audio, Photography, Photojournalism, Travel, Video on October 1, 2015 by William Hooks
at the Hollywood anticorporate protest co-sponsored by ANSWER Coalition, Sept 2015

At the Hollywood anticorporate protest co-sponsored by ANSWER Coalition, Sept 2015

Commnal water dispensing station, East Porterville, CA

Communal water dispensing station, East Porterville, CA

Guy Fawkes lives on

Guy Fawkes lives on in protest

Melinda Steffen interviewing a resident dealing with acute water supply issues in East Porterville, CA

Melinda Steffen interviewing a resident dealing with acute water supply issues in East Porterville, CA

 

 

Patricia Magana and family, East Porterville, CA

Patricia Magana and family, East Porterville, CADSC00030

A version of the film's avatar; original artwork by Melinda Steffen

A version of the film’s avatar; original artwork by Melinda Steffen

Please check both our Facebook page and the film website for updates, reference links to information about the crisis over water in the state of California, and background about the process of creating this project.

Covering the ANSWER Anticorporate protest in Hollywood, CA

Posted in Audio, Captain's Personal Log, Photography, Photojournalism, Reviews, Video with tags , , , , , , , , , , , on September 12, 2015 by William Hooks

This afternoon, there was a protest march against corporate practices across the world held in Hollywood where I conducted several interviews with activists. These included  Navaho native American Paige Murphy representing Therednation.org, Hamid Assian from Food And Water Watch.org based in Wash, DC, and a Pasadena activist from Citizens Climate Lobby, James Waterhouse.

Doug, media coordinator for ANSWER event

Doug, media coordinator for ANSWER event

ANSWER Protest_2015_9 (5) ANSWER Protest_2015_9 (6) ANSWER Protest_2015_9 (7) ANSWER Protest_2015_9 (8) ANSWER Protest_2015_9 (10)For solo interview technique I like to use a dynamic microphone running to the Tascam DR-60D DAR unless I anticipate a lot of very loud noise, where the -20dB pads are nice on the Zoom H6. The 17-40mm f/4 L Canon zoom was my default lens, also used the 70-200 mm f/4 L. Love the AT Mx40 headphones for crowd work! They really help isolate the interviewee from the background and are very comfortable.

Page Murphy, co-founder of Therednation.org and Navaho I was using the 4K Panasonic GH4 and Benro S6 monopod for the day. Grateful for overcast weather! And thanks to Ed Flowers for some still shots—

Paige Murphy, co-founder of Therednation.org and Navaho

Documentary filming in the heat of central California

Posted in Audio, Photography, Photojournalism, Reviews, Travel, Video with tags , , , , , , , , , , , , , , , on August 29, 2015 by William Hooks
At Lake Success, CA talking with Donna Johnson from East Portervillie

At Lake Success, CA talking with Donna Johnson from East Portervillie

Setting up to talk with Paul Boyer in west Visalia about the efforts of his company to help residents obtain water

Setting up to talk with Paul Boyer in west Visalia about the efforts of his company to help residents obtain water

I'm monitoring sound before beginning to interview Paul at his office

I’m monitoring sound before beginning to interview Paul at his office

Donna Johnson (16) Melissa Wichnell (8)

James Garrett monitoring video and Melinda Steffen checking audio at Visalia interview

James Garrett monitoring video and Melinda Steffen checking audio at Visalia interview

Melissa Wichnell discussing Visalia, CA emergency planning for water distribution

Melissa Wichnell discussing Visalia, CA emergency planning for water distribution

Melissa Wichnell (13) Melissa Wichnell (15)

Nonpotable water tank near the fire station in East Porterville, CA

Nonpotable water tank near the fire station in East Porterville, CA

We completed a series of interviews with local officials in Visalia, CA and talked with local resident Donna Johnson in East Porterville about what she was personally doing to help neighbors whose wells had gone dry (as was her own).

The level of poverty in East Porterville is intense. Housing prices, already low, are decreasing due to lack of water further burdening residents who might want to leave the area.

We shot with my Panasonic GH4 in 4K 30fps mode, using a Zoom H6 digital audio recorder as well as Audio Technica Pro70 wired lav’s an dRode NTG-4 shotgun in a Rode blimp.Also used a Zoom hypercardioid shotgun mic and when using the Zoom for field notes, the mid-side capsule mic. I was very pleased with the performance of my equipment in very hot conditions, wind and for interior shots with no problems encountered.

There is still much to be done before we begin cutting the documentary’s final look; a tentative title: WATER AND THE LIVES OF THOSE LESS FORTUNATE.

Battery options for powering the GH4, lights, Zoom H6, and monitor

Posted in Captain's Personal Log, monitors, Photography, Photojournalism, Reviews, Travel, Video with tags , , , , , , , , , , on July 20, 2015 by William Hooks
Switronix P-tap to GH4 power cable

Switronix P-tap to GH4 power cable

Switronix P-tap to 4-pin power cable

Switronix P-tap to 4-pin power cable

LP90S battery as counterweight, connect to GH4 with power cable on shoulder rig

LP90S battery as counterweight, connect to GH4 with power cable on shoulder rig

closeup of battery, P-tap connection and second P-tap port located on mount plate

closeup of battery, P-tap connection and second P-tap port located on mount plate

The Zoom H6 digital audio recorder is powered from the accessory USB port on the battery, shown above.

It’s a good idea to not allow these batteries to be uncharged for long periods because of their self-discharge property; I mark them each time they’re charged, and aim at less than 6 months before recharging.

And double check to ensure that the terminals of the P-tap connector are properly aligned to the corresponding terminals of the battery plate- if not, there’s risk of short-circuiting the cable (I’ve done it – ONCE).

Channel Islands National Park: Santa Cruz Island ultralight backpacking

Posted in backpacking, Captain's Personal Log, Photography, Reviews, Travel, ultralight techniques, Video on June 26, 2015 by William Hooks

Trail heading SW from Cavern Point toward the Visitor Center

P1020807 P1020802I spent 2 1/2 days on this excursion with Jim Garrett, a friend and co-editor of DEP. We began preproduction on a documentary about the current California drought crisis while on this trip, and enjoyed great views from trails and at the beach. We visited Potato Harbor Overlook and Cavern Point trails in particular, on the northwest side of the island.

The camping was done using tarps at the lower camp , and alcohol stoves are allowed there but we used canister stoves. The upper camps are mostly for larger groups.P1020821 P1020820 P1020789 P1020770 P1020769 P1020768 P1020784

A note  of caution to those who might use tarp camping methods there: take precautions to avoid hantavirus disease! Take a good ground sheet and avoid contact with soil. Official dogma is to use standard tents with floors.

The abundant animals such as island foxes were all over camp but we had no evening encounters- most likely because of fastidious food and trash storage. The park provides excellent, standard bear lockers.

His Windrider 3400 and my Windrider 2400 pack were great for this kind of trip- we hardly felt them on the hikes, as well as the Sony NEX-6 and my Panasonic GH4 with 15mm f/1.7 lens which were much lighter than DSLR’s. I put mine in ‘point and shoot’ mode much of the time and shot some 4K video during the visit. We plan to submit some shots with our packs to Hyperlite Mountain Gear, the manufacturer in Maine.

We had the opportunity to get to know one of the seasonal rangers, Maya Morales, who is also a Humboldt State student, and plan to do some interviews  for the upcoming film from the perspective of someone who is very involved with resource management and conservation.

First followup review of Panasonic GH4 DSLM camera

Posted in backpacking, Captain's Personal Log, Photography, Photojournalism, Reviews, Travel, ultralight techniques, Video with tags , , , , , , , , , , , , , , , , , on May 11, 2015 by William Hooks

These are my observations after using the camera for a few weeks.

First, I found that operating the nonprotruding video actuation button was not optimal and ended up adding a $10 Vello 2 ft wired remote. This also allows use of very slow shutter speeds and facilitates macro imaging, and I use it for interviews so that I can stay where I’m interacting with the subject- the same as I already do with my H6 Zoom audio recorder.

With a 64GB U3 rated card I’m getting more than 80 minutes per clip at 4K resolution. No more interruptions to reset the camera for interviews…..

Second, after renting the 18-35mm f/1.8 EF Sigma I think this lens will be excellent for general use especially on a rig with follow focus, but too large and heavy for backpacking and [currently] doesn’t support AF; so I will most likely buy the Panasonic 12-35 f/2.8 and 35-100 f/2.8 eventually, and continue to rent this optic.

Third, I’ve settled on Custom settings for the main 3 dial positions= C1 for 4K DCI/24 ‘Cinematic’, C2 for 4K UHD/30 ‘Broadcast’, and C3-1/ C3-2/C3-3 for ‘highest quality ‘ 1080/60 moderate slow motion, ‘smoothest’ 1080/96 slow motion, and 1080/12 undercranked fast motion. NOTE: this camera allows 1080p in slow-motion 96 FPS whether in 30 or 24 cinema modes.

Fourth, as a walkaround lens I ‘m using the Pana/Zeiss Summicron 15mm f/1.7 – a tiny, ultralight lens simulating 30mm perspective in full frame terms. Sharp, easy to maintain relatively great DOF (nice for rapid event action), beautifully integrated with the camera’s capability, easy to carry long distances, and wide without distortion.

Fifth, the Metabones EF to MFT Speedbooster will be a keeper for me as I have 2 Canon FF lenses and it opens the entire Cine and still collection to the camera, as well as lenses from Rokinon /Zeiss/ Olympus/Voigtlander in particular. The ‘free’ additional stop from the adapter has been very welcome in keeping the ISO settings in the optimal range. I find that linking the baseplate/rail system onto the removable Metabones tripod mount provides the clearance I need for attaching the Rokinon 14mm T3.1 and 35mm T1.5 lenses, which have large front elements.

An added bonus is that as long as the adapter is attached, the camera sensor is completely shielded from damage while changing lenses.

Sixth, I’ve evolved a minirig for ENG and light EFP use consisting of an aluminum form-fitting cage, JAG 35 top handle/tripod base plate,carbon fiber 15mm rods, and RedRock Micro spuds/attachment points.

I will be using a $12 basic Nikon F to MFT adapter for AI-S Nikkors for the immediate future, and rent the F/G to MFT Speedbooster when needed.