What do I use to make images and video?
Panasonic DMC-GH5/s Mirrorless/ Nikon Coolpix System
Panasonic GH5s Micro 4/3 DSLM camera: 4K
Panasonic GH5 Micro 4/3 DSLM camera: 4K x2; XLR-1 audio adapters 3230
form- fitting camera cage with JAG 35 top handle and tripod baseplate, carbon fiber 15mm rods, RedRock Micro attachment points; Switronix P-tap to GH5x power cable; AC adapter
Small Rig top handles; GH5x cage systems x2 with helmets, cold shoes;L-bracket GH5x, side hand grip, swivel monitor mount
Panasonic ZS70 1 2/3″ sensor camera: 4K (Ultra HD, 30 fps); USB charging SN WS8BA003321
DJI Mavic 2 Pro 4K drone/ Polar Pro 8, 16, 32 ND and pol filters; controller sunshade, blade clamps [DEFIANT B]
DJI Mavic Mini 2.7K drone/ Fly more kit [ZAMBESI] SN 1szdgbq112f3k3
DJI Osmo Action 4K camera SN 129CG9T0021VTE
Samsung Galaxy 2017 Tablet A (model SM-T380, SN 52M40DXD5D), USB 3 charging- primary display for Mavic 2 Pro
Apple iPod Touch, USB charging- display for Mavic Mini drone
Apple 2020 (8th gen) iPad- primary display for Zoom F8 Control
PolarPro Mavic tablet holder
LowePro DroneGuard 250 backpack
Aurtek Landing pad 4
Varavon Armor I cage , GH4 battery clamp, 2 magic arms (long, reg)
Panasonic GH4 battery grip
SKB 3i-2011-7BD waterproof case with pull handle/TSA locks
Metabones EF to MFT Speedbooster adapter; Widespan Nikon F to EOS adapter
DSLR kit Nikon F to MFT adapter
Nikon Coolpix S9500 compact camera: Full HD 1080p/30; Nikon EG-CP16 A/V composite cable (full function with 7″ monitor)
Minolta IV-F light meter with spot attachment
Rokinon lenses:
8mm f/3.5 Nikon F mount, full frame (35 mm equiv, ~17mm fisheye)
14mm Cine T3.1 EF mount, full frame (35mm equiv, ~20mm super wide angle)
35mm Cine T1.5 EF, full frame (~50mm standard angle of view)
85mm Cine T1.5 EF, full frame (~135mm standard angle of view)
Panasonic MFT lenses:
8-18mm f/2.8-4 AF (16-35mm zoom) SN BR9BD102441: parfocal
12-35mm f/2.8 II OIS Lumix AF (24-70mm zoom) SN XT8SC101072
15mm f/1.7 Summicron (Leica) AF (~ 30mm wide angle)
25mm f/1.7 Lumix (50mm normal)
35-100mm f/2.8 II OIS Lumix AF (70-200mm zoom) SN JG8HA101016: parfocal
42.5mm f/1.7 OIS Lumix AF (85mm short telephoto)
45-200mm f/4-5.6 OIS (Leica) AF (~90-400mm tele-super telephoto zoom)
Nikon F lenses:
50mm f/1.8 AF (~75mm short telephoto)
43-86mm f/3.5 parfocal zoom
Canon EF Lens:
70-200mm f/4 USM L (~105-320mm super telephoto @f/2.8 using Metabones)
WhiBal cards x 2- lanyard/studio sizes; Cokin series P filter system; small and large focus target/gray panels
Gary Fong LightSphere/ Powersnoot/Amber dome
Tripods/heads:
Manfrotto professional #3283 video tripod w 502 head-for cinema rigs, integration into slider setups
Manfrotto 502 AH fluid head
Manfrotto MVT 502 video tripod x2 w swiveling/tilting Manfrotto fluid head (3 pounds, 6 oz for tripod)
6″, 12″ and offset Y- hot shoe accessory rails
Bogen 3036 crank center-post tripod with Benro S8 fluid head, or Acratech Long Lens Head-for Cinema rig, B camera/slider/Hi-hat/supertelephoto/ jib use; 9.Solutions Tilt stud Adapter
Manfrotto 3001 compact tripods x2
Benro monopods, including Connect V-MCT-48F series 4
Zomei Z669 travel tripod/monopod combination; Carbon fiber version (similar design)
Arikas ball head– for ultralight travel/backpacking , slider, and jib
Mini-tripods to support monitors, microphones, and digital audio recorders
Gismo smartphone holder
Induro 75mm bowl hi-hat tripod with custom-built pancake apple boxes* (taking up to 3/8″ flathead hex bolts*)
full-size apple boxes
OnSet stretch XXL grip gloves
X, Y plane-type, calibrated macro focusing rail
Studio equipment:
Set of C-stands
Softboxes and stripdomes (Westcott/JTL)
Compact flourescent (daylight) lighting: RPS kit with 70 W x4 bulbs, silver reflector; kits with dual 85 W bulbs for silver umbrellas
Matthelini and Cardellini clamps; Mini-Matthelini w 3/8″ tip x 2;Extendellini; 2 x small ball heads and Manfrotto 496 ball head for attachment of monitors; rigid long painter pole; crates for grip gear
5/8″ baby pins; Kupo double gag; XC Source medium ball head w locking Manfrotto QR plate
Dual tripod head with computer tray for tethered capture
Background setup, with 10 x 12 ft reversible fabric backdrop and assorted paper rolls including green and blue Chromakey; (2) x 4.5 ft 1 1/4″ aluminum conduit pipe w coupler
Sandbags; empty Samys Flyaway 25 lb , MSE and RPS Hi-Vis 6 lb sandbags
Pelican cases- # 1620, 1550 x2,1500,1450 x2 , 1400, various small sizes
SKB cases:3i-2011-7BD, 2918-10D, 1SKB-R3709W (for 37″ tripods)
Seahorse small case; various additional hard cases
Craftsman tool cases-medium, small
VIDEO:
Zhiyun Crane 2 3-axis motorized gimbal system with mechanical follow focus/ side handle, USB charging for batteries/ ZY app
RedRock Micro coaxial and offset risers, MicroMounts/spuds,1.5″ short arms x 2; Tiffen 4×4″ glass filters for matte box; counterweights
Benro DV-15C semicage Cinema rig w deluxe matte box, follow focus, offset rails, long articulated arm, and V-mount battery accessory plate
DLC MB3 matte box
DLC DSLR dual handle shoulder rig with matte box
DLC Magic Rig v1 rifle- stock rig, standard 15mm rods; match with shoe-handle if needed
Hybrid RedRockMicro/JAG 35 shoulder rig with JAG DSLR stand v2
Beillen dual battery charger(V mount), for several 14.8v brick batteries incl Switronix LP-90S
2 JAG35 V2 grip handles for various setups, such as shoulder rigs
Lilliput Q17 17.3 in looping SDI/HDMI monitor w Quad screen display, 12G +3G I/O, remote options, 4K via HDMI
Lilliput A12 12.5″ 4K looping SDI/HDMI monitor with Quad display; 1 3G-SDI output; Display Port to HDMI adapter cable
Lilliput Q7 Pro 7″ full HD looping /SDI-HDMI monitor w LUT’s, HDR, production scopes, color calibration via PRO/LTE ver LightSpace CMS by Light Illusion
Lilliput Q7 7″ Full HD looping /SDI-HDMI monitor w production scopes, headphone jack; AV Matrix #1221 HDMI to dual SDI converters x2/ #1221 SDI to HDMI converter
Lilliput H7s 7″ 4K Ultrabright SDI/HDMI monitor
Lilliput Q5 5″ 4K looping HDMI/SDI monitor
Lilliput A5 5″ 4K looping HDMI monitors x2
Small rig side handle, swivel monitor mount
D-tap to 4-pin XLR power cable, 2 x BCN to Composite adapters; Marshall V-LCD-50 HDMI external monitor (5″) system-2 units with Nikon EN-EL3e battery packs/Rocksoul 1 to 2 HDMI Splitter, 4:1 splitter, Rocksoul 3:1 HDMI switch
Professional Sound Corp D Tap to Lectrosonics DC cables: source-Location Sound,/ No Hollywood, CA
Lilliput 569 5″ HD looping HDMI monitor with headphone jack, D-tap to 5v power cable
Sony 9″ SD external monitor/ DVD player
Draco Ledgo 1200 and 600 watt LED Panel sets-run on V-mount batteries for location use, or with XLR-AC adapters from AC power
LP-600 bicolor LED panel w V-mount, AC power options
Dracast Aparo 1000 LED panel w V mount,diffuser, XLR 4 pin power options
Voking VK 700 watt bicolor LED panel runs on Sony batteries/ AC adapter from ASUS notebook/Rhino Deluxe 800 mA univ AC adapter
DV-160 on-camera LED light w AA battery pack in Seahorse SE-300 case, uses USB bank for power as well as Sony batteries
Sony batteries: 5 x NPF-970 smart-Li, 4x NPF-750, 5 x NPF-550 to run lights, monitors, selected cameras, motion control sliders, alternative power for Rode Newsshooter transmitter
Remote Audio HIQ 98 WH Li battery; Audioroot EHRS4-out 4W Hirose cable and ESMART Mono 1 bay 3 Amp smart charger
300W shop LED light
Custom, large camera cage (form -fitting for GH4) SMALLRIG NATO Handle 1526 Perforated camera handle/ hot shoe adapter(M to M)
Generic shock mount pistol grip from Wilcox Sound (Sun Valley, CA); small plastic pistol grip w 1/4″ mounting socket at base
Fotga DP500 swiveling 14.8v battery mount
Second unit follow-focus
Custom 6 ft rigid jib, with camera position adjustment from monitor position/ gym weights for counterbalancing
Hoodman Cinema Pro loupe and Custom Finder Baseplate
Photoflex LS studio light modifiers; 4×4 ft Modern SE artifical silk diffuser; 24×36″ flags
Avenger reflector positioning arms; large grip array incl Kupo 360 degree EZ arm; MSE Magic Finger 5/8″x2
JTL, Avenger, MSE C-stands; Manfrotto 3/8″ mounting plate; Kupo 5/8 to 1/4″ threaded adapter; adapters for OnStage top mount telescoping boom arm-fits Jamstand;Gator Rok-It mic stand#2′ Matthews C-stand; OnStage tabletop 5/8″ mic stand; Groove Pak, OnStage kick/amp and Proline round base mic stands; On Stage short boom, mic ext attachment bar, camera mount
Samson, Stedman XL pro pop filters
Proline butterfly mic clips
AC adapters for Panasonic, Nikon and Canon cameras
Konovo 31 ” linear camera slider
Glidecam-Yelangu s60t (non-cf version)
GVM 31″wireless looping motion-control slider- uses either GVM slider app or wireless remote control w proprietary battery; 9 V AC power option
Neewer 47″ CF motion-control slider w 7 V AC adapter, wired controller
GTX 0006 1 m CF dual-rail slider-reversible
Cinevate Duzi compact 24 in dual-rail slider-reversible- for travel
2 floor-base dolly units; 8 ft linear slider with custom dolly (1″ rail caliber)
4′ linear track slider, 5′ linear (optional inset) V- slider
Motorola transceivers, including set of MS 350 units
LED lighting, handheld modular type (5 units), Sony batteries
AUDIO:
Orca 32 medium audio bag
Orca 30 small audio bag /Or 37 belt for F8n recorder, 3 sets wireless audio; Orca
OR-35 rain cover, OR-150 antenna holder
Orca 280 XS audio bag, designed for MixPre series recorders
Sachtler SN 607 small audio bag/SN 605 DECA audio harness, POR piggin strings 6″
Adreama 12K mAh, Talent Cell 12K mAh, and Tzumi 10K mAh USB power banks- for HDMI/SDI converters, tablet, iPod Touch, F8n, H6 and H5 audio recorders, cell phone, Rode-Link system, DV-160 LED light, gimbal batteries, and storage of power from drone batteries using DJI adapter
Audio Technica 4040 cardioid large diaphragm condenser microphone
Rode NT1 large diaphragm cardioid condenser studio microphone (SN AA0044700)
Harman AKG P420 LD condenser multipattern studio microphones (SN TA3850-018463,TA3850-019885)- cardioid/fig8/omni patterns
Audio Technica 4053b hypercardioid studio condenser w Rycote Baseball –also fits ME-64
Rode NTG-4 supercardioid XLR shotgun [SN: CP 0003999]
Azden SGM-250 CX supercardioid short Shotgun
Rode matched pair, M5 small diaphragm cardioid condenser microphones (SN’s CH0047424/5)-instruments, large vocal ensembles, indoor dialog
Sennheiser ME-67 supercardioid/lobar XLR long shotgun [SN 1062027094]/ K-Tek
KNS3 Nautilus shock mount; Sennheiser foam windscreen and Auray WSS-2029 windjammer; microphone storage tube
Sennheiser ME-64 cardioid XLR short shotgun /Olson Windtech 150 windscreen, Bubblebee Windkiller XS wombat; Sennheiser K6 powering capsules x2 (also for ME-67)
Rode blimps x2 w extension module
Shure SM-58 LC dynamic cardioid mic
Electrolet condenser XLR shotgun microphone (AA battery powered)
Sennheiser MD-46 cardioid dynamic interview/drumset/SFX microphone; OnStage MY325 mic clip to fit
Rode-Link wireless Filmmaker Kits x3 (3.5mm/ omni lavalier system) with Pelican 1011 lav mic case, custom case for 1 unit; Newsshooter kits x2 with transmitter holdster/ short XLR extension, Sennheiser ME-4N lavalier mics x2; lavalier ‘stealth’ gear incl Rode Invisilavs, Moleskin, Toupee tape (Top Stick); 2 x Rode Vampire clips
Sennheiser MKE-2 -C XLR omnidirectional lav microphone
Saramonic AX-100 2-track audio adapter; Cloud Microphones Cloudlifter CL-1 (48v power to +25dB gain)
Rycote 2x 3/8″ quick release tips/ PCS boom connector sets
SoundGuysSolution Boom-QR , 2 tips (Audio Dept)
4-channel headphone routing box; 6 ft TRS to TRS cable
Rode Videomic Micro cardioid plug-in power shotgun microphones 3.5mm TRS connector built in
Lowe Pro Audio Utility Bag
Radio Shack 20′ stereo extension cables (3)/ 6′ to 50′ XLR extension cables
Rode 10 ft 9″internal-cabled boom pole, Mini boom poles x2; Custom 8’2″ aluminum pole; Matthews grip heads/ 3 boom cradles; K-Tek KEG-150CC Avalon Series Graphite Boompole (9 ft) w right angle XLR adapter; Rode Boompole Pro (carbon fiber), 10 ft
Orca 246 (L) boom pole hard case
90- degree angled XLR cables; BNC =bayonet-Neill-Conselman cables (3G: 3′, 6′, 15′, 25′ x2, 50′; 6G: 3′ red, 12′ blue; 12G=4K rated 4′, 100 feet); XLR splitter cables (various)
2 x Audio Technica 88T (300′ line-of-sight) omnidirectional, dynamic wireless lapel microphones/ Baby Koala windscreens
4 x Audio Technica Pro 70 cardioid, condenser wired lav microphones/ Remote Audio MCATB fuzzy windscreens/ guitar fret mounts
Shenggu S-108 short shotgun cardioid on-cam microphone (CR2 lithium battery)
Audio Technica M30, ATH-M40 X and M50X headphones
Rode SM3 shockmount, SMR-3 shockmount
Sound Devices Mix-Pre 10 II recorder/mixer SN w AC adapter, Sony battery sleds x2
Anker ultracompact wireless Bluetooth keyboard, Logitech K120 wired keyboard
Zoom F8n Field recorder/mixer SN C23004121 w AC adapter
Anton D tap to Hirose cable x2, spare battery case BCF-8; Cherry ML4100 USB computer keyboard; Zoom FRC-8 Controller SN C5000808 w iPad mount
Olympia 85-188 PAL service cart (for audio)/ REI 40L duffel bag
Zoom H6 portable audio recorder/deadcats, PCH-6 case, SKB custom case, SGH-6 supercardioid shotgun capsule, SSH-6 stereo hypercardioid shotgun capsule, XYH-6 cardioid capsule, MSH6 Mid-side capsule,wired remote control, Sescom LIN2mic-Zoom H4N cables with headphone monitor jacks; 3′ to 25′ XLR cables, EXH6-Combo Capsule, ECM-3 ~10 ft extension cable, AC adapter
Zoom H5 portable audio recorder/deadcat, XYH-5 cardioid capsule, windscreen, wired remote, PCH-5 case, ECM-3 second unit
Livewire dual XLR splitter cables: 2 male inputs/ 2 female inputs
Kupo 40″ extension arms with fixed grip heads; grip heads, some w hex studs
77mm filters: 4X ND, polarizer, variable 4X Genus and generic ND filters, Kenko steprings (from 37, 46, 49, 52, 58, 62, 67,and 72 mm to 77 mm); 67mm polarizer
Cokin filter system
Tiffen square 4″ ND’s (3 and 4 stops each)
Gary SC Slates x2 (Clapperboards)
HD-TV:
Proscan LCD 25″ for HD (720p) with Atlona AT-HAD-V31 3- way HDMI switch
Software:
FREE integrated system: BlackMagic DaVinci Resolve 16.2 beta
Panasonic Silkypix 4.1 RAW converter/ Utility uploading software; PhotoFun Studio 9.5 PE- makes pulling still images from video such as 4K very easy; simple rough cut tools
Red Giant Plural Eyes 4.1.x AV synchronization software
CyberLink Power Director 17 ultra, Photo Director 10 Ultra, Audio Director 8 Ultra, Wave Editor 2; Panasonic image app; Zoom F8n, Sound Devices Wingman remote apps
Adobe Photoshop Elements, Premiere Elements 2018
Dropbox, Cubase LE9 music production, CyberLink Power to Go Express (for DVD copying), Steinberg Wavelab LE 9.0.2 mastering/editing
Media Storage:
Main external 3 x 1.5 TB hard drives (Seagate), 3TB, 4 TB Seagate archival drives
Flash drives: 2, 4, 8, 16, 128 GB
Printer:
Canon Pro 9000 Mark II (to 13 x 19″)
Pad:
Android Galaxy 8
Laptop:
Lenova P17 /Windows 10
ASUS 15″ N53S quad-core / Windows 7 with 20″ secondary ASUS monitor
Lowe Pro 250 AW DSLR Video backpack and multiple other carriers
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