What do I use to make images and video?
Panasonic DMC-GH4 Mirrorless/ Nikon Coolpix System
Panasonic GH4 Micro 4/3 DSLM camera: 4K (Ultra HD /Cinema HD); form- fitting camera cage with JAG 35 top handle and tripod baseplate, carbon fiber 15mm rods, RedRock Micro attachment points; Switronix P-tap to GH4 power cable
Varavon Armor I cage , GH4 battery clamp, 2 magic arms (long, reg)
Panasonic GH4 battery grip
SKB 3i-2011-7BD waterproof case with pull handle/TSA locks
Metabones EF to MFT Speedbooster adapter; Widespan Nikon F to EOS adapter
DSLR kit Nikon F to MFT adapter
Nikon Coolpix S9500 compact camera: Full HD 1080p/30; Nikon EG-CP16 A/V composite cable (full function with 7″ monitor)
Minolta IV-F light meter with spot attachment
Rokinon lenses:
8mm f/3.5 Nikon F mount, full frame (35 mm equiv, ~17mm fisheye)
14mm Cine T3.1 EF mount, full frame (35mm equiv, ~20mm super wide angle)
35mm Cine T1.5 EF, full frame (~50mm standard angle of view)
85mm Cine T1.5 EF, full frame (~135mm standard angle of view)
Panasonic MFT lenses:
15mm f/1.7 Summicron (Leica) AF (~ 30mm wide angle)
45-200mm f/4-5.6 OIS (Leica) AF (~90-400mm tele-super telephoto zoom)
Nikon F lenses:
50mm f/1.8 AF (~75mm short telephoto)
43-86mm f/3.5 parfocal zoom
Canon EF Lens:
70-200mm f/4 USM L (~105-320mm super telephoto)
WhiBal cards x 2- lanyard/studio sizes; Cokin series P filter system; small and large focus target/gray panels
Gary Fong LightSphere/ Powersnoot/Amber dome
Tripods/heads:
Manfrotto MVT 502 video tripod w swiveling/tilting Manfrotto fluid head (3 pounds, 6 oz for tripod)- for Cinema rig A camera
6″, 12″ and offset Y- hot shoe accessory rails
Bogen 3036 crank center-post tripod with Benro S8 fluid head, Arukas, or Acratech Long Lens Head-for Cinema rig B camera/slider/Hi-hat/supertelephoto/ jib use; 9.Solutions Tilt stud Adapter
Manfrotto 3001 compact tripod
Zomei Z669 travel tripod/monopod combination; Carbon fiber version (similar design)
Arukas ball head- for ultralight travel/backpacking , slider, and jib
Micro-tripods to support monitors, microphones, and digital; audio recorders
Induro 75mm bowl hi-hat tripod with custom-built pancake apple boxes* (taking up to 3/8″ flathead hex bolts*)
full-size apple boxes
OnSet stretch XXL grip gloves
X, Y plane-type, calibrated macro focusing rail
GoPro Wearable 4Kvideo/still camera system (rent)
Studio equipment:
Softboxes and stripdomes (Westcott/JTL)
Compact flourescent (daylight) lighting: RPS kit with 70 W x4 bulbs, silver reflector; kits with dual 85 W bulbs for silver umbrellas
Matthelini and Cardellini clamps; Mini-Matthelini w 3/8″ tip x 2;Extendellini; 2 x small ball heads and Manfrotto 496 ball head for attachment of monitors; rigid long painter pole; crates for grip gear
5/8″ baby pins; Kupo double gag; XC Source medium ball head w locking Manfrotto QR plate
Dual tripod head with computer tray for tethered capture
Background setup, with 10 x 12 ft reversible fabric backdrop and assorted paper rolls including green and blue Chromakey; (2) x 4.5 ft 1 1/4″ aluminum conduit pipe w coupler
Sandbags; empty Samys Flyaway 25 lb , MSE and RPS Hi-Vis 6 lb sandbags
Pelican cases- # 1620, 1550 x2,1500,1450 x2 , 1400, various small sizes
SKB cases:3i-2011-7BD, 2918-10D, 1SKB-R3709W (for 37″ tripods)
Seahorse small case; various additional hard cases
Craftsman tool cases-medium, small
Video and Audio equipment:
RedRock Micro coaxial and offset risers, MicroMounts/spuds,1.5″ short arms x 2; Tiffen 4×4″ glass filters for matte box; counterweights
Benro DV-15C semicage Cinema rig w deluxe matte box, follow focus, offset rails, long articulated arm, and V-mount battery accessory plate
DLC MB3 matte box
DLC DSLR dual handle shoulder rig with matte box
DLC Magic Rig v1 rifle- stock rig, standard 15mm rods; match with shoe-handle if needed
Hybrid RedRockMicro/JAG 35 shoulder rig with JAG DSLR stand v2
Beillen dual battery charger(V mount), for several 14.8v brick batteries incl Switronix LP-90S
2 JAG35 V2 grip handles for various setups, such as shoulder rigs
Lilliput Q7 7″ Full HD looping /SDI-HDMI monitor w production scopes, headphone jack; AV Matrix #1221 HDMI to dual SDI converter/ #1221 SDI to HDMI converter
Lilliput 665 7″ HD looping HDMI monitor with D-tap to 4-pin XLR power cable, 2 x BCN to Composite adapters; Marshall V-LCD-50 HDMI external monitor (5″) system-2 units with Nikon EN-EL3e battery packs/Rocksoul 1 to 2 HDMI Splitter, 4:1 splitter, Rocksoul 3:1 HDMI switch
Professional Sound Corp D Tap to Lectrosonics DC cables: source-Location Sound,/Toluca Lake, CA
Lilliput 569 5″ HD looping HDMI monitor with headphone jack, D-tap to 5v power cable
Sony 9″ SD external monitor/ DVD player
Draco Ledgo 1200 and 600 watt LED Panel sets-run on V-mount batteries for location use, or with XLR-AC adapters from AC power
LP-600 bicolor LED panel w V-mount, AC power options
DV-160 on-camera LED light w AA battery pack in Seahorse SE-300 case
Sony batteries: 2 x NPF-970 smart-Li, 2x NPF-750, 2 x single small size to run lights, monitors, selected cameras, alternative power for Rode Newsshooter transmitter
300W shop LED light
Custom, large camera cage (form -fitting for GH4)
SMALLRIG NATO Handle 1526 Perforated camera handle/ hot shoe adapter(M to M)
Generic shock mount pistol grip from Wilcox Sound (Sun Valley, CA); small plastic pistol grip w 1/4″ mounting socket at base
Fotga DP500 swiveling 14.8v battery mount
Second unit follow-focus
Custom 6 ft rigid jib, with camera position adjustment from monitor position/ gym weights for counterbalancing
Hoodman Cinema Pro loupe and Custom Finder Baseplate
Photoflex LS studio light modifiers; 4×4 ft Modern SE artifical silk diffuser; 24×36″ flags
Avenger reflector positioning arms; large grip array incl Kupo 360 degree EZ arm; MSE Magic Finger 5/8″x2
JTL, Avenger, MSE C-stands; Manfrotto 3/8″ mounting plate; Kupo 5/8 to 1/4″ threaded adapter; adapters for OnStage top mount telescoping boom arm-fits Jamstand;Gator Rok-It mic stand#2′ Matthews C-stand; OnStage tabletop 5/8″ mic stand; Groove Pak, OnStage kick/amp and Proline round base mic stands; On Stage short boom, mic ext attachment bar, camera mount
Samson, Stedman XL pro pop filters
Proline butterfly mic clips
AC adapters for Nikon and Canon cameras
Konovo 1 meter, linear camera slider
Glidecam-Yelangu s60t (non-cf version)
Cinevate Duzi compact 24 in dual-rail slider-reversible for camera-up, camera-down use
2 floor-base dolly units; 8 ft linear slider with custom dolly (1″ rail caliber)
4′ linear track slider, 5′ linear (optional inset) V- slider
Motorola transceivers, including set of MS 350 units
LED lighting, handheld modular type (5 units), Sony batteries
Orca 30 medium audio bag /Or 37 belt for F4 recorder, 3 sets wireless audio
Sachtler SN 607 small audio bag/SN 605 DECA audio harness, POR piggin strings 6″
Adreama 12K mAh and Tzumi 10K mAh power banks
Audio Technica 4040 cardioid large diaphragm condenser microphone
Rode NT1 large diaphragm cardioid condenser studio microphone (SN AA0044700)
Harman AKG P420 LD condenser multipattern studio microphones (SN TA3850-018463,TA3850-019885)- cardioid/fig8/omni patterns
Rode NTG-4 supercardioid XLR shotgun (exteriors) [SN: CP 0003999]
Rode matched pair, M5 small diaphragm cardioid condenser microphones (SN’s CH0047424/5)-good for instruments, large vocal ensembles, indoor dialog
Sennheiser ME-67 supercardioid XLR long shotgun [SN 1062027094]/ K-Tek
KNS3 Nautilus shock mount; Sennheiser foam windscreen and Auray WSS-2029 windjammer; microphone storage tube
Sennheiser ME-64 cardioid XLR short shotgun /Olson Windtech 150 windscreen, Bubblebee Windkiller XS wombat; Sennheiser K6 powering capsule (also for ME-67)
Rode blimps x2 w extension module
Shure SM-58 LC dynamic cardioid mic
Electrolet condenser XLR shotgun microphone (AA battery powered)
Sennheiser MD-46 cardioid dynamic interview/drumset microphone; OnStage MY325 mic clip to fit
Rode-Link wireless Filmmaker Kits x2 (3.5mm/ omni lavalier system) with Pelican 1011 lav mic case; Newsshooter kit with transmitter holdster/ short XLR extension, Sennheiser ME-4N lavalier mics x2; lavalier ‘stealth’ gear incl Rode Invisilavs, Moleskin, Toupee tape (Top Stick); 2 x Rode Vampire clips
Saramonic AX-100 2-track audio adapter; Cloud Microphones Cloudlifter CL-1 (48v power to +25dB gain)
Rode Videomic Micro cardioid plug-in power shotgun microphone/ 3.5mm TRS connector built in
Lowe Pro Audio Utility Bag
Radio Shack 20′ stereo extension cables (3)/ 6′ to 50′ XLR extension cables
Rode 10 ft 9″internal-cabled boom pole, Mini boom poles x2; Custom 8’2″ aluminum pole; Matthews grip heads/ 3 boom cradles; K-Tek KEG-150CC Avalon Series Graphite Boompole (9 ft) w right angle XLR adapter; Rode Boompole Pro (carbon fiber), 10 ft;
90- degree angled XLR cables; BNC =bayonet-Neill-Conselman cables (3G: 3′, 6′, 15′, 25′ x2, 50′; 6G: 3′ red, 12′ blue; 12G=4K rated 4′)
2 x Audio Technica 88T (300′ line-of-sight) omnidirectional, dynamic wireless lapel microphones/ Baby Koala windscreens
3 x Audio Technica Pro 70 cardioid, condenser wired lav microphones/ Remote Audio MCATB fuzzy windscreens/ guitar fret mounts
Shenggu S-108 short shotgun cardioid on-cam microphone (CR2 lithium battery)
Audio Technica ATH-M40 X and M50X headphones
Rode SM3 shockmounts SMR-3 shockmount
Zoom F4 Field recorder/mixer SN B98010309, PSC CAB Anton D tap to Hirose cable 2″, spare battery case BCF-8; Cherry ML4100 USB computer keyboard; Zoom FRC-8 Controller SN C5000808
Olympia 85-188 PAL service cart (for audio)
Zoom H6 portable audio recorder/deadcats, PCH-6 case, SKB custom case, SGH-6 supercardioid shotgun capsule, SSH-6 stereo hypercardioid shotgun capsule, XYH-6 cardioid capsule, MSH6 Mid-side capsule,wired remote control, Sescom LIN2mic-Zoom H4N cables with headphone monitor jacks; 3′ to 25′ XLR cables, EXH6-Combo Capsule, ECM-3 ~10 ft extension cable
Zoom H5 portable audio recorder/deadcat, XYH-5 cardioid capsule, windscreen, wired remote, PCH-5 case, ECM-3 second unit
Tascam DR-70 D digital audio recorder, AC adapter and wired remote RC-10
Livewire dual XLR splitter cables: 2 male inputs/ 2 female inputs
Kupo 40″ extension arms with fixed grip heads; grip heads, some w hex studs
77mm filters: 4X ND, polarizer, variable 4X Genus and generic ND filters, Kenko steprings (from 46, 49, 52, 58, 62, 67,and 72 mm to 77 mm); 67mm polarizer
Cokin filter system
Tiffen square 4″ ND’s (3 and 4 stops each)
Gary SC Slates x2 (Clapperboards)
HD-TV:
Proscan LCD 25″ for HD (720p) with Atlona AT-HAD-V31 3- way HDMI switch
Software:
Panasonic Silkypix 4.1 RAW converter/ Utility uploading software; PhotoFun Studio 9.5 PE- makes pulling still images from video such as 4K very easy; simple rough cut tools
Red Giant Plural Eyes 4.1.x AV synchronization software
Frame.io: free video collaboration and advanced management features
Canon-EOS Utility, free online download (allows extensive tethered camera control,for stills and video)
Nikon- Capture NX2, Camera Control Pro 2, View NX2
Adobe- Lightroom 4 , Story (CS Live online), CS6 Master Collection, Creative Cloud
Dropbox, Photomatix Pro 5, VideoBlocks.com, SonicFirePro5, Cubase LE9 music production, CyberLink Power to Go Express (for DVD copying), Steinberg Wavelab LE 9.0.2 mastering/editing
LR=Level and Ramp Timelapse 3.1
Jarle Leirpoll’s Premiere Pro Color Grading Presets v.1,2
Media Storage:
Main external 3 x 1.5 TB hard drives (Seagate), 3TB, 4 TB Seagate archival drives
Flash drives: 2, 4, 8, 16, 128 GB
Printer:
Canon Pro 9000 Mark II (to 13 x 19″)
Laptop:
ASUS 15″ N53S quad-core / Windows 7 with 20″ secondary ASUS monitor
Desktop:
Dell Pentium 4 Tower with dual monitors
Lowe Pro 250 AW DSLR Video backpack and multiple other carriers
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