Archive for 4K

Covering the ANSWER Anticorporate protest in Hollywood, CA

Posted in Audio, Captain's Personal Log, Photography, Photojournalism, Reviews, Video with tags , , , , , , , , , , , on September 12, 2015 by William Hooks

This afternoon, there was a protest march against corporate practices across the world held in Hollywood where I conducted several interviews with activists. These included  Navaho native American Paige Murphy representing Therednation.org, Hamid Assian from Food And Water Watch.org based in Wash, DC, and a Pasadena activist from Citizens Climate Lobby, James Waterhouse.

Doug, media coordinator for ANSWER event

Doug, media coordinator for ANSWER event

ANSWER Protest_2015_9 (5) ANSWER Protest_2015_9 (6) ANSWER Protest_2015_9 (7) ANSWER Protest_2015_9 (8) ANSWER Protest_2015_9 (10)For solo interview technique I like to use a dynamic microphone running to the Tascam DR-60D DAR unless I anticipate a lot of very loud noise, where the -20dB pads are nice on the Zoom H6. The 17-40mm f/4 L Canon zoom was my default lens, also used the 70-200 mm f/4 L. Love the AT Mx40 headphones for crowd work! They really help isolate the interviewee from the background and are very comfortable.

Page Murphy, co-founder of Therednation.org and Navaho I was using the 4K Panasonic GH4 and Benro S6 monopod for the day. Grateful for overcast weather! And thanks to Ed Flowers for some still shots—

Paige Murphy, co-founder of Therednation.org and Navaho

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Some ENG setups with the GH4 and 2 digital audio recorders

Posted in Audio, Photojournalism, Reviews, Video with tags , , , , , , , , , , , , on August 11, 2015 by William Hooks

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DR-70D DAR below GH4 camera on tripod

DR-70D DAR below GH4 camera on tripod

MS (mid-side) microphone capsule option on Zoom H6 DAR

MS (mid-side) microphone capsule option on Zoom H6 DAR

side view showing connections for digital audio recorder positioned below camera

side view showing connections for digital audio recorder positioned below camera

above-camera setup for DR-70D using 12" rail on hot shoe, and 2 wireless Audio Technica mic receivers

above-camera setup for DR-70D using 12″ rail on hot shoe, and 2 wireless Audio Technica mic receivers

DSCN2364The idea here is to be able to record to one or more cameras and record audio separately =dual system audio, later aligning the sound and video files while editing. I use Red Giant Plural Eyes Express for this job, it’s easy and automated.

I’ve shown two audio options, one with wired lavalier mics into inputs 1-2 on the Tascam DR-70D DAR connected below the camera and the other with the DAR mounted on an adapter above the camera, connected to wireless mic receivers.

The other DAR (Zoom H6) is used here as a hand-held microphone close to the subject, recording backup tracks; one could easily add a shotgun mic track here, for example, or one of the lav tracks if desired. I sometimes use the MS mic capsule in this setup because it’s simple to pick up my interview questions and the corresponding answers with that mic, place close to my side and less than 2 feet from the subject out of frame.

I power the Tascam whenever possible with external sources- either AC or when not available, by use of a brick battery via USB port with 5v delivered to the 15′ extension cable, then to the dedicated recorder USB cable. This is due to the lackluster internal battery life from the DR-70D.

Be sure to download the Tascam ‘s reference manual online if you get this unit- the supplied documentation is pathetic.

First event covered with Panasonic GH4: downtown Los Angeles/ protest at Nestle’ North American HQ

Posted in Captain's Personal Log with tags , , , , , , , , on May 20, 2015 by William Hooks
GH4 w 17mm f/1.7 Lumix-Summicron AF lens, Zoom H6 DAR and hypercardioid shotgun microphone; JAG 35 tripod baseplate, CF rods and top handle

GH4 w 15mm f/1.7 Lumix-Summicron AF lens, Zoom H6 DAR and hypercardioid shotgun microphone; JAG 35 tripod baseplate, CF rods and top handle

full cinema rig setup on tripod

full cinema rig setup on tripod

side view of cinema rig with GH4

side view of cinema rig with GH4

GH4, cage, part of JAG 35 top handle assembly

GH4, cage, part of JAG 35 top handle assembly

50mm f/1.4 EF with Metabones Speed Booster, 77mm VND filter on 58->77 adapter ring

50mm f/1.4 EF with Metabones Speed Booster, 77mm VND filter on 58->77 adapter ring

rear view of GH4 in cage with attachment points and follow focus visible

rear view of GH4 in cage with attachment points and follow focus visible

top view of assembled baseplate -rods- follow focus setup

top view of assembled baseplate -rods- follow focus setup

audio field gear centered around Zoom H6 digital audio recorder

audio field gear centered around Zoom H6 digital audio recorder

Shot using Cine-D profile at 4K UHD/30, Auto white balance,on a monopod with available light.

I find this setup to be fast and easy to use, stable, and highly functional. The H6 was used as the primary preamp for audio and I minimized the internal preamp of the GH4- excellent audio performance in a difficult noisy setting with adjacent traffic and due to crowds, electronic megaphones. Audio Technica headphones were added for monitoring.

The camera is within a custom cage, attached to JAG 35 components on its center cold shoe for secure carrying and linking to a monopod baseplate. This system is much more compact and lighter than a comparable rig using a DSLR, such as a 5D Mark III. It also allows optional use of a 5″ HDMI monitor, with a micro-HDMI port protector built into the cage.

After reintroducing some contrast in post, I was very satisfied with the files. Wish I still had that rental 12-35mm f/2.8 Lumix AF lens, zooms are so useful for events and other fast action.