Archive for the Reviews Category

To the Dark Side… I ‘ve gone Canon 5D Mark III

Posted in Captain's Personal Log, Photography, Photojournalism, Reviews, Video with tags , , , , , , , , on August 30, 2013 by William Hooks

After much consideration, I’ve taken the leap to the Canon HD-DSLR system and sold my Nikon system except for the Coolpix S9100. Admitting that I miss the built-in intervalometer of the D600 and especially its ability to create in-camera timelapses…..

Key features of the Canon 5D Mark III (5D3) over the Nikon D600 —FOR ME
1- Tethered shooting with Lightroom 4 (no need to upgrade to version 5)-but caveat emptor…
2- Power aperture in LiveView
3- LV histogram
4- CF and SD cards; I prefer the durability and ease of writing on CF cards in general, and the ease of just inserting an SD card into my notebook’s built-in slot is there when desired
5- Native ISO of 12800 for video
6- Selected better specs for stills incl bracketing, 6FPS, AF points, advanced multiple exposure
7- Time code, including drop-frame and other features (record and playback); at the least this will be used for shot logging, and potentially for post (multicam sync)
8- Ability to manually adjust sound settings, ISO, and exposure while recording video-silently!
9- Accepts the same Hoodman Custom Finder Baseplate
10- Video can be actuated remotely with a $30 RC-6 IR wireless unit and tethered for video and stills via a free
EOS Utility software download (Nikon-it’s free)
11- Extensive video clip info available after recording
12- In-camera slow motion review
13- EF lenses compatible with a wide variety of dedicated, advanced cinema systems such as BlackMagic, EOS C
Cinema camcorder series, and RED. I anticipate at some point venturing into the C 100/ C 300 universe.
14- This camera is a current industry standard for HD-DSLR filmmaking. As such, there is free and paid firmare and software available which is uniquely designed for Canon/5D3 such as the free Technicolor and Marvel Picture Styles.
There are also a number of hardware items made by Manfrotto and other companies which are specific to Canon firmware, such as the Sympla Remote Controller.

Taken in totality, I found these and other considerations to be compelling. Among the other things I though about was the issue of normalizing or standardizing the cameras throughout my crew- and everyone else is already using 5D2, 6D, and 7D. Doesn’t necessarily mean I won’t use Nikons in the future, I ‘m a huge fan of their lenses and flash for example. Very likely I’ll be using a Nikon D5200 for backpacking and timelapses. But for now, I’m starting off very happy indeed with the 5D3.

More stills from the ArtBus shoot- including the Nikon D4 on a hi-hat

Posted in Captain's Personal Log, Photography, Reviews, Video with tags , , , , , , , on August 27, 2013 by William Hooks

I used my 14-24mm f/2.8 Nikkor on the D4. The Hi-hat was wonderful for use in close and in small spaces. I had to take special care to warn of its presense because it’s so small, and had a $5000 camera on it.

The Marshall 5″ HDMI monitor works very well with this setup, allowing easy exposure checking, focus, and viewing; it also provides the option of flip-image (useful for the jib setup).

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Mounting the Induro Hi-Hat and apple box on a slider

Posted in Photojournalism, Reviews, Video on August 9, 2013 by William Hooks

Another convenient feature of this Hi-hat/apple box combination is the ability to rapidly and securely obtain up to about 5-7 seconds of smooth truck/slider motion with my 8 ft slider, simply by dropping the combo onto the slider’s dolly.

I can secure the hat in 3 different positions to the drilled 1/4″ holes in the large apple box as shown, whether collapsed or extending the legs.

Here is the 8' slider beneath the #2 lg apple box, bolted to the Hi-hat and camera

Here is the 8′ slider beneath the #2 lg apple box, bolted to the Hi-hat and camera

Sandbags are used to further stabilize the slider when appropriate

Sandbags are used to further stabilize the slider when appropriate

The #2 small apple box is used as a counterweight or to provide quick angled shots by placing beneath other boxes

The #2 small apple box is used as a counterweight or to provide quick angled shots by placing beneath other boxes

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The bolt holes are clearly marked in order to speed setup of the rig in the field

The bolt holes are clearly marked in order to speed setup of the rig in the field

This makes it unnecessary to detach and re-attach the Hi-Hat, and it’s and easy to take off the camera via the quick -release baseplate camera to put it on a cinema rig, for example. This means that there are many more options for developing and executing shot lists.

Tom Antos’s video segment: RED Epic vs DSLR’s

Posted in Photojournalism, Reviews, Video on July 28, 2013 by William Hooks

I have to agree with his simple and straightforward comments- that’s why I bought my D600 instead of a D800 despite being able to afford the more expensive body. That savings was put into lighting, grip and other areas of production.

Here’s the link:

Updated my Blogroll today- new links

Posted in Music, Photography, Photojournalism, Reviews, Studio Portraiture, Video on July 28, 2013 by William Hooks

I included several programs from the Adobe Master Collection CS6- my core software along with Lightroom for video and still imaging file storage and manipulation.

Also added was Nikon Camera Control Pro 2, which I recommend to Nikonians who want to be able to tether their captures. It supports stills and video.

My current ENG/interview shoulder rig setup

Posted in Captain's Personal Log, Photojournalism, Reviews, Video on May 20, 2013 by William Hooks

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I use the Red Rock Micro Event rig, and add some components which work well for me: the microphone will vary (in this case,Rode Stereo Videomic Pro), with my general preference being a Rode NTG-2 shotgun if there’s significant ambient noise. LED lighting such as this 6 AA panel design with built-in barn doors allows a  lightweight , fairly focused daylight balanced source. For headphones, I might add either extremely light mini-phones or a full set of Rockfish noise-cancelling HP’s.

At the rear is the recently added Hoodman Custom Finder Baseplate and 3″ loupe. There’s a RRM lens ring on this 85mm f/1.8 Nikkor, connected to a follow focus; a Fader is used to control aperture in bright light, as well as flare reduction with a matte box.ImageImage

Review: Hoodman Custom Finder Baseplate

Posted in Photography, Photojournalism, Reviews, Studio Portraiture, Travel, Video on May 6, 2013 by William Hooks

I found this baseplate for $99 (no tax) last weekend at the Los Angeles Convention Center, while attending a Big Photo Show. The Hoodman rep was at the Samys section and I was intrigued by the prospect of using a compact, lightweight ‘rail’ to add or remove my 3″ Hoodman loupe to a DSLR monitor. This would make use in bright sunlight much easier.

After a short demo I decided to buy it, and I assembled it this afternoon (see images). The box has excellent schematic images showing the location and names of all of the parts. This is a modular design with 3 components: the onboard 1/8″ hex Allen wrench, the rail which accepts the loupe, and the baseplate which attaches to the camera base.

I’m pleased with the very lightweight of this unit, its build quality, and the ease of attachment and removal of the loupe assembly. The fit to the 3″ Nikon D600 monitor is excellent. Controls are positive and smooth. And it’s in Nikon colors- the main set screw is gold….[sorry, non-Nikonians]. I can easily reach the LiveView and other camera controls, because none of the baseplate extends over them.

This unit also adjusts for a 3.2″ monitor such as the D4, and all hex screws are of the same caliber so that the entire apparatus can be completely adjusted in the field with no additional tools.

SUMMARY: I highly recommend this item for DSLR videographers and still photographers, especially if you do a lot of field work and/or do not use a matte box. You won’t notice it until you need it.

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baseplate (L), rail (R)

baseplate (L), rail (R)

baseplate from below

baseplate from below

attaching the baseplate to the grip for Nikon D600

attacheing the baseplate to the grip for Nikon D600

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The bracket also fits 3.2" loupes

The bracket also fits 3.2″ loupes

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microadjustments to fit the 3" loupe to the bracket

microadjustments to fit the 3″ loupe to the bracket

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the lower left portion of the vertical adjustment rail contains the 1/8" hex wrench

the lower left portion of the vertical adjustment rail contains the 1/8″ hex wrench

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no interference with battery swapout from Nikon grip

no interference with battery swapout from Nikon grip

lateral view of complete assembly on tripod, with D600

lateral view of complete assembly on tripod, with D600

closeup of main setscrew to adjust rail (gold) and QR plate from baseplate to tripod mount

closeup of main setscrew to adjust rail (gold) and QR plate from baseplate to tripod mount

Arca-Swiss compatible (Acratech) tripod quick-release plate attached

Arca-Swiss compatible (Acratech) tripod quick-release plate attached

Kupo hardware: excellent for AV grip use

Posted in Photography, Reviews, Studio Portraiture, Video on April 5, 2013 by William Hooks

I’m beginning to use Kupo’s line of grip equipment alongside my Matthews gear and have been impressed- it’s very good quality, at a price considerably lower than Matthews’s lineup, and easily available in the southern CA area. I get mine from Samys Camera.

My 40″ extension arm and grip head w hex stud have been helpful for interview setups, instructional videos and studio stills; they make it easy to rig a light, microphone, flag, scrim or reflector with freedom of movement and great stability. I like that the grip head on the extension arm is permanently attached and will not rotate. They attach to any standard light stand.

At the same time, I can reserve the boom/jib for mounting a B or C camera.

More thoughts about the Nikon D600 FX camera

Posted in Photography, Photojournalism, Reviews, Studio Portraiture, Video on February 1, 2013 by William Hooks

After several months of intensive use, these are some of my comments about the D600:

It continues to impress me with its overall versatility, good build quality, audio and video features and (actually) more resolution than I often need. One of the times when I find the 24MP files especially useful, though, is when required to crop heavily for print formats. I find that in most of these cases, the shoots cannot be rescheduled. Although I don’t have power aperture as on the D800/D4, it can be approximated by using a lens with an aperture ring.

While in a -15deg F snow camp in December, I was happy to observe that the battery functioned normally (!)

My experience with the camera has led me to use the battery grip moderately often, but in the field the ability to take a much lighter body and not sacrifice FX and feature set has been a huge advantage. Among the features I seem to be using most are in-camera HDR, timelapse, bracketing, and rapid switching between DX and FX format without the need to change lenses. Almost anything that avoids lens changes in the field is seen as a benefit for me- less to get inside the camera, faster operation, being able to push ISO and other attributes of the body to make the most use of each lens.

The menus have become even more intuitive with practice, and I have very few complaints regarding them. The control layout seems excellent to me…..

Catching an oldie but baddie, STARSHIP TROOPERS (1997) on SyFy

Posted in Reviews, Science Fiction on December 25, 2012 by William Hooks

Cheesy graphics, cheesy announcer, Grade B actors, predictable plot, interrupted by modern but cheesy commercials.

Just what the doctor ordered on Xmas Eve after a good hike earlier today….

To those who follow my site– Feliz Navidad! from a devout agnostic