Archive for music

The four heads

Posted in Music, Photography, Photojournalism, Reviews, Travel, Video with tags , , , on June 8, 2014 by William Hooks

This is an illustration of the 4 fluid heads and associated equipment I use for video stabilization.

The Induro hi-hat yields low-angle and tight interior shots, for example; the monopod can provide sweeping ‘jib’ shots and the tripod specializes for Dutch angles. All contribute to multicam shooting.

 

The heads from Benro are S6 on monopod, and S8 flat base.

This combination travels well and all heads use interchangeable, standard quick release plates.4 fluid heads_ motion options

The 75mm bowls on the Manfrotto video tripod and hi-hat allow seamless transfer between their respective heads.

So what? This combination is FAST and secure to use.That means I have more time to be creative and waste a lot less time and effort switching cameras for obtaining specific shots!

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Initial review of the Tascam DR-60D Digital Audio Recorder

Posted in Captain's Personal Log, Music, Photojournalism, Reviews, Travel, Video with tags , , , , on May 31, 2014 by William Hooks
Detail of link to recorder from rig
Be careful to secure the electric cables so that no tension is placed on them!

Be careful to secure the electric cables so that no tension is placed on them!

Ledgo 600 LED light panel

Ledgo 600 LED light panel

I like to be able to easily detach the carrying strap using the plastic snap buckles, for rig placement- or leaving it attached for use as a field mixer

I like to be able to easily detach the carrying strap using the plastic snap buckles, for rig placement- or leaving it attached for use as a field mixer

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shows the headphone out cable  (above), and USB AC adapter cable (below)

shows the headphone out cable (above), and USB AC adapter cable (below)

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I’ve been using this unit alone so far, not integrating with the Zoom H4N using the latter as an XY stereo microphone input, and with the Canon 5D Mark III camera which has a headphone jack. This jack has been used as a camera-out jack to connect to the DR-60’s CAMERA IN jack, allowing very intuitive and excellent review of the mixed audio files sent to the 5D3 from each take while reviewing the corresponding video clips. 

This feature, internal adjustable audio slating and the highly sensitive pre-amps have already made the Tascam my primary recorder for documentary and narrative film production (EFP). 

The large number of buttons make diving into menus much less frequent. A very important issue is the ability of this unit to independently assign phantom power to microphones- so that I can revert to a preferred setup of a powered Rode NTG-2 shotgun while mixing with other mics which do not need phantom power or might even be damaged by it.

The XLR inputs are locking type and access to the SD media card is very easy- both upgrades from the Zoom H4N.

Yet another much-appreciated feature is the automatic revert-to-MIX monitoring when switching from listening to the camera’s files to resuming recording- a real timesaver, as you don’t end up having to possibly redo the take because the DR-60 was still on CAMERA IN monitoring!!!

I do wish that the buttons were backlit for low light, but consider that a minor issue.

For conservation of battery power, I obtained an AC adapter easily (driving directly to the warehouse in Carson, CA) and it appears to function very well so far.

I would usually default to the H4N for field location scouting, recording at lecture settings and routine note-taking / EFP simply because of its XY microphones. Either may be used for travel because of their compact, lightweight form factors.

The images included show the DR-60 on a RedRock Micro Cinema rig with Canon 5D3, 135mm f/2 L lens, Rode NTG-2 shotgun and Audio Technica 88W wireless lav microphones; the wireless receiver is on the camera’s hot shoe. My atrium definitely needs to be cleaned up-soon….