Archive for the Photojournalism Category

My standard Nikon setup for photojournalism

Posted in Photojournalism on January 19, 2013 by William Hooks

My default setup includes a Nikon D600 with battery grip to incorporate a spare battery and make vertical shooting easy; I use a 24-70mm f/2.8 G Nikkor, allowing up to 24MP JPEG images in FX mode and smaller but very usable files in DX mode- where this lens approximates a 36-105mm f/2.8 zoom in coverage angles. Focus is in manual mode and I employ my RedRock Micro follow-focus ring on the lens to make focusing smoother- my hands are large, and it’s less work to grab it instead of the smaller-diameter lens ring.

The AF illuminator light is cancelled and beep is turned off, to be unobstrusive.

I carry a Nikon Coolpix S9100 which provides up to 20 seconds of recording for audio files per still image (for video, simply speak around the camera to engage the stereo mic) so that manual note-taking is almost completely eliminated. Because it doesn’t allow 24 FPS video, I set both cameras to 30 FPS to simplify video editing.

Flash is usually deactivated with both cameras. If I need flash for some reason, I’ll usually attach the SB-700 to the D600. The continuous frame rate of 5.5 FPS is usually adequate, and with these settings the buffer is most often sufficient for a burst of images.

In search of reliable tethering software for the Nikon D600 camera

Posted in Photography, Photojournalism, Studio Portraiture, Travel, Video on November 5, 2012 by William Hooks

Please call or write if you know of such a program? To my knowledge neither ControlMyNikon nor Camera Control Pro2.x, nor any other commercially available programs seem to support the D600 as of this note…… I would be very grateful for any insights!

Thanks in advance-

Using an HDMI splitter, 500mm f/4 Nikkor, 2 monitors, and Manfrotto tripod/head

Posted in Photography, Photojournalism, Reviews, Video on October 8, 2012 by William Hooks

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This is one setup which allows very fast lens changes from fisheye to super telephoto, thanks to the Acratech adapter interposed between the short Manfrotto tripod plate and the lens or camera itself. If I’m using a RedRock Cinema rig, I attach it with a separate pre-installed long Manfrotto plate. These plates seem very secure for their corresponding loads.

For a multicam shoot, a Giottos tripod is used with its own QR plate and a Weifeng fluid head to run the B camera. Both tripods work with either of my floor dolly models.

The splitter is located on one of the tripod legs in the lower left. The director or talent in front of the camera can view on a separate monitor, at the same time as both the camera operator and the focus puller with this system. The camera, both monitors, LED lighting, and wireless lav microphone can all run from an AC outlet as shown here. All of these components are easy to use with independent batteries, as well.

It would be nice if sound could also be reviewed with no adjustments… but I can still listen to it, simply by disconnecting the splitter from the camera. After all- I’m on budget.

More about the Nikon D600

Posted in Photography, Photojournalism, Reviews, Studio Portraiture, Video on September 26, 2012 by William Hooks

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I’m happy to report that this camera has some useful, practical features I don’t find much advertised.

First: Looped HDMI out. This means that one can retain the camera’s monitor image while sending it simultaneously to a second monitor- allowing a DP or other director to evaluate files, at the same time or after they’re shot by the camera operator. I’ve made the adjustments on my Marshall 5″ monitors so that the displays match those on the camera.

Second: The amount of additional image detail in video attainable with uncompressed HDMI on an Atomos Ninja is significant! (I can’t fork out the $1K for one yet)

Third: A major side benefit to headphone monitoring of sound on-camera is the ease with which you can assign optimal microphone settings, especially for ENG.

Fourth: The beep function has been expanded greatly since D7000, allowing audio cues for self-timer countdown and remote control actuation among other items.

Fifth: Adding the lock for the left top function wheel is much appreciated. This greatly reduces settings errors in actual use of the camera. I do miss the absense of exposure setting lock which has not been around since the D3s…..PLEASE put these in a firmware update if possible??

Lowe Pro 250 AW DSLR Video backpack and Manfrotto 502A video tripod/head

Posted in Photography, Photojournalism, Reviews, Studio Portraiture, Travel, Video on September 26, 2012 by William Hooks

These will help me when doing ENG/location interviews and studio/location cinema rig work, respectively.

The backpack is optimal for traveling with a D600 and up to 70-200 VR, compact microphone set, ZOom H4N audio recorder, shoulder rig, cables, SB-700 flash, headphones and some small lenses. The all-weather cover WILL be used!

The Manfrotto is designed to hold my RedRock cinema rig with provision to directly attach short monitor arms, freeing up the hot shoe on the camera for a light or other accessory. It’s very stable especially for its size and weight, and allows for Dutch angles by actually tilting the rig on it.
There’s a pan lock; I like the large size of the quick-release plate and that it can’t accidentally fall off- it attaches with 2 screws to the rig base, so there is no torque on the rig. The XY, pan/tilt friction controls are excellent. It’s a good fit with my smooth floor dolly which is mostly used indoors.

This way, I’ll use my smaller Weifeng 718 tripod/head for a camera with no rig (such as tutorial videos) or for a B camera.

First day working with the Nikon D600 system, Rode Stereo Videomic Pro microphone

Posted in Photography, Photojournalism, Reviews, Studio Portraiture, Travel, Video on September 24, 2012 by William Hooks

I’m very impressed with the capability of the D600 and of the Stereo VMP, after setting them up for defaults in video and still work…. MUCH more to come as I gain more experience with them.

Unfortunately, I had to sell my coveted 200 mm f/2 VR Nikkor in the process. Maybe some day I’ll rent or obtain another if the need arises, but I hope that the low-ISO ability of this camera helps obviate that need since I still use a 70-200 f/2.8.

It is wonderful to be able to closely monitor audio directly from the camera with headphones!!! This should be a boon for remote field videography and run-gun interviews.

Nikon D600 for $2100 announced: FX format and full HD video in a very small body

Posted in Photography, Photojournalism, Reviews, Travel, Video on September 13, 2012 by William Hooks

This is an exciting prospect for my own work, as I travel and often shoot in field/remote locations. The form factor is important and especially at this price, I’m going to take a serious look at the D600. [Wish it had more high ISO performance, above nominal 6400!]

This camera is supposedly going to be available later in Sept 2012.

Working on OCCUPY documentary this election season

Posted in Photography, Photojournalism, Video on July 26, 2012 by William Hooks

We at DEP will be interviewing at General Assembly meetings held regularly at downtown Los Angeles, CA in order to provide updated material for this project, which began last Sept/October.

Diverse and Eclectic Productions crew meeting, Thursday 12 July 2012

Posted in Photography, Photojournalism, Video on July 11, 2012 by William Hooks

DEP will add some new crew, and continue preproduction plans for upcoming documentary and dramatic film projects for summer/fall 2012.

We will be using Adobe CS6 Master Collection as the base of our editing, output and archiving workflow.

General audience Prescreening of THE RIDDLE OF MONZONITE next Saturday

Posted in Music, Photography, Photojournalism, Reviews, Travel, Video on May 27, 2012 by William Hooks

We will have the event at TriCommunity School of Photography in Covina, CA on Saturday, 2 June 2012 at 1PM. The telephone number for the school is (626)-974-6816 and it’s located  at 252 West Puente St, zip code is 91723.

If you ‘d like to attend, we’ll have you use a questionnaire to make any comments you wish about this 30 min version of the documentary. We may also show a trailer.

 

And happy Memorial Day!