Archive for cameras

A functional, compact dual-audio ENG rig

Posted in Photography, Photojournalism, Reviews, Travel, Video with tags , , , , , , , , on June 21, 2014 by William Hooks

Canon 5D3_dual lav shotgun audio_monopod

This setup works well for daylight-lit ENG; I usually add a Stellar ST-3000 LED light and a 6″ cold shoe rail when artificial light is needed.

This group fits into a Lowe Pro Flipside 400 pack and includes:

Canon5D3 w 24-105 f/4 L
Rode NTG-2 shotgun mic with deadcat and shock mount, headphones
Tascam DR-60D DAR with 2 x 3.5 mm short cables to run to and from the camera
Audio Technica Pro70 wired lav mic w dead’marble’
2 XLR cables, 6′ each
3X 3″ loupe
batteries

The Benro S6 video monopod goes into its own case to the site of the events.

To the Dark Side… I ‘ve gone Canon 5D Mark III

Posted in Captain's Personal Log, Photography, Photojournalism, Reviews, Video with tags , , , , , , , , on August 30, 2013 by William Hooks

After much consideration, I’ve taken the leap to the Canon HD-DSLR system and sold my Nikon system except for the Coolpix S9100. Admitting that I miss the built-in intervalometer of the D600 and especially its ability to create in-camera timelapses…..

Key features of the Canon 5D Mark III (5D3) over the Nikon D600 —FOR ME
1- Tethered shooting with Lightroom 4 (no need to upgrade to version 5)-but caveat emptor…
2- Power aperture in LiveView
3- LV histogram
4- CF and SD cards; I prefer the durability and ease of writing on CF cards in general, and the ease of just inserting an SD card into my notebook’s built-in slot is there when desired
5- Native ISO of 12800 for video
6- Selected better specs for stills incl bracketing, 6FPS, AF points, advanced multiple exposure
7- Time code, including drop-frame and other features (record and playback); at the least this will be used for shot logging, and potentially for post (multicam sync)
8- Ability to manually adjust sound settings, ISO, and exposure while recording video-silently!
9- Accepts the same Hoodman Custom Finder Baseplate
10- Video can be actuated remotely with a $30 RC-6 IR wireless unit and tethered for video and stills via a free
EOS Utility software download (Nikon-it’s free)
11- Extensive video clip info available after recording
12- In-camera slow motion review
13- EF lenses compatible with a wide variety of dedicated, advanced cinema systems such as BlackMagic, EOS C
Cinema camcorder series, and RED. I anticipate at some point venturing into the C 100/ C 300 universe.
14- This camera is a current industry standard for HD-DSLR filmmaking. As such, there is free and paid firmare and software available which is uniquely designed for Canon/5D3 such as the free Technicolor and Marvel Picture Styles.
There are also a number of hardware items made by Manfrotto and other companies which are specific to Canon firmware, such as the Sympla Remote Controller.

Taken in totality, I found these and other considerations to be compelling. Among the other things I though about was the issue of normalizing or standardizing the cameras throughout my crew- and everyone else is already using 5D2, 6D, and 7D. Doesn’t necessarily mean I won’t use Nikons in the future, I ‘m a huge fan of their lenses and flash for example. Very likely I’ll be using a Nikon D5200 for backpacking and timelapses. But for now, I’m starting off very happy indeed with the 5D3.