What I’ll be using tomorrow, for multicam interviews in the Palm Springs area

Posted in Photojournalism, Reviews, Travel, Video on August 12, 2014 by William Hooks

Canon 5DIII, 70D cameras with Zoom H6 DAR and backup Tascam DR-60D (need 3 XLR inputs if possible, for 2 wired lav mics and a boomed shotgun).

The Manfrotto 2 camera rail makes it easy to shoot with both cameras from nearly the same vantage point on one tripod. Be sure to crank the mounts so they don’t rotate!!

I could also attach other items to the rig with Mafer clamps, for example, instead of using an articulated arm to mount the digital audio recorder.

2-camera rail interview setup_front (1)

2-camera rail interview setup_front (2)

2-camera rail interview setup_front (3)

2-camera rail interview setup_front (4)

2-camera rail interview setup_front (5)

Better living through audio

Posted in Photojournalism, Video with tags , , , , , , on July 21, 2014 by William Hooks

This is my setup for basic narration, VO and podcasts.

Thanks to Sam Ash music for the free On Stage desktop mic stand! It’s nice that I could ride a bike to your store, if my bike hadn’t been stolen a couple of years ago…..

AT 8004L dynamic mic on stand_3 ft XLR

Audio Technica M 40X headphones

Basic VO setup

REI Ultrapod supporting Tascam DR-60D DAR

VO components

Variations on a theme- a way to do both ENG and basic EFP on a monopod

Posted in Captain's Personal Log, Photography, Photojournalism, Reviews, Travel, Video with tags , , , , , , on June 29, 2014 by William Hooks

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This setup allows use of 4×4″ Tiffen ND filters, I have a 3-stop and a 4-stop which fit into the matte box for preserving wide lens apertures. That way, shallow DOF is covered for EFP and occasional ENG applications.Of course, all the other benefits of the matte box apply such as making lens changes fast and easy, and virtually eliminating flare.

The configuration is compact, secure, and very adjustable along the medium-length carbon fiber rails. Critical focus in bright light is achieved with the Hoodman Custom Finder.

As an option, I can add the Manfrotto DSLR remote controller for rack focus and faster ergonomics in starting and ending clips.

The Benro components are much better suited to this kind of arrangement on a monopod than my RedRock Micro components, especially the baseplate assembly. The RRM lacks screw threads for connection to the QR fo the monopod.

Functionally, it’s a little imbalanced from frontloading and the tilt is not as smooth as the pan, but overall I feel that the versatility of the rig more than compensates for these considerations.

It also travels relatively well, because the matte box can be broken down further for packing.

This is not going to yield the degree of camera movement possible with a shoulder rig, but I find it much better for longer ENG recordings since the monopod, and not my arms, support the system. It’s also easy to combine both, if a multicam shoot is desired.

Additional observations about the Tascam DR-60 D digital audio recorder

Posted in Music, Photojournalism, Reviews, Travel, Video with tags , , , , on June 24, 2014 by William Hooks

After a period of use with and without my other DAR (Zoom H4N) employed as a stereo microphone source, I have more comments about the Tascam recorder. The key words I ‘d use to describe my experience with it are EASY and INTUITIVE.

It’s much easier to access the SD media card than with the Zoom model, because of the simple rubber cover which also reveals the AC adapter/USB port.

Ability to easily and rapidly isolate and monitor whichever channel I wish with headphones, or a mix, or CAMERA IN, and to lock the XLR cables to the inputs, are welcome changes from the H4N.

I use the rapid, intuitive ‘delete recording file’ process routinely, and this is much easier to do than with the H4N- yet another example of using dedicated buttons instead of submenus to make the recorder user-friendly. These buttons are very quiet to operate, and I so far don’t see a need for getting its remote control unit.

The DR-60 is very compact, and lighter than the H4N; I can easily carry it all day and it mounts well onto rigs and monopods/tripods with option to mount cameras directly atop it. The bracket for camera attachment is easily removed if the location on a rig suggests it to be necessary.

The real-time Equalizer function is very helpful to preview the treble/bass mix of a track and therefore, evaluate the outputs of various microphones relative to this recorder. It’s a simple matter to avoid proximity effect with shotguns, for example using this method (this is of course not an issue with omnidirectional mics).

I’ve found that the sound quality is very good using the H4N as a stereo mic input into the 3.5mm Ch3/4 input or as an XLR connection. So both recorders can very effectively be used together, even if there are no stand-alone microphones available.

What do I wish the DR-60 could have or do? First and foremost: at least one more dedicated XLR input, even if it were requiring a slightly larger recorder.DSCN0682

Second, I ‘ll use the H4N for most multitrack recording because of its additional capability in this mode compared to the Tascam.

And it will be used as an audio interface to my Cubase LE6 digital audio workstation on my notebook-a feature not offered by this unit.

A functional, compact dual-audio ENG rig

Posted in Photography, Photojournalism, Reviews, Travel, Video with tags , , , , , , , , on June 21, 2014 by William Hooks

Canon 5D3_dual lav shotgun audio_monopod

This setup works well for daylight-lit ENG; I usually add a Stellar ST-3000 LED light and a 6″ cold shoe rail when artificial light is needed.

This group fits into a Lowe Pro Flipside 400 pack and includes:

Canon5D3 w 24-105 f/4 L
Rode NTG-2 shotgun mic with deadcat and shock mount, headphones
Tascam DR-60D DAR with 2 x 3.5 mm short cables to run to and from the camera
Audio Technica Pro70 wired lav mic w dead’marble’
2 XLR cables, 6′ each
3X 3″ loupe
batteries

The Benro S6 video monopod goes into its own case to the site of the events.

Some audio setups

Posted in Music, Photojournalism, Reviews, Travel, Video with tags , , , , , , , , , , , on June 16, 2014 by William Hooks

These are some of the items I use to create audio recordings for AV projects.

2 digital audio recorders: Tascam DR-60D (general production) and Zoom H4N (music, overdubbing; direct recording via XY stereo mics)

2 sets of headphones: Tascam and AudioTechnica (AT)

Rode Stereo Video Mic Pro, mainly for environmental sound and music

2 pair each of several types of dialog/mono microphones: AudioTechnica Pro70 wired, cardioid condenser lavaliers; also AT 88W wireless, omni dynamicTascam DR-60D and Zoom H4N

Tascam DR-60D DAR

2 AT Pro 70 wired lav mics

AT Pro 70 x 2 with XLR cables lavaliers and Rode NTG-2 supercardioid, condenser shotguns (not shown here)

Not shown is the AT 8004L dynamic omnidirectional stick mic, used mainly for ENG in-frame

The Pro70’s are also good for guitar recording via the specialized holders, shown with green felt liners in the corresponding images.

The four heads

Posted in Music, Photography, Photojournalism, Reviews, Travel, Video with tags , , , on June 8, 2014 by William Hooks

This is an illustration of the 4 fluid heads and associated equipment I use for video stabilization.

The Induro hi-hat yields low-angle and tight interior shots, for example; the monopod can provide sweeping ‘jib’ shots and the tripod specializes for Dutch angles. All contribute to multicam shooting.

 

The heads from Benro are S6 on monopod, and S8 flat base.

This combination travels well and all heads use interchangeable, standard quick release plates.4 fluid heads_ motion options

The 75mm bowls on the Manfrotto video tripod and hi-hat allow seamless transfer between their respective heads.

So what? This combination is FAST and secure to use.That means I have more time to be creative and waste a lot less time and effort switching cameras for obtaining specific shots!

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